Volume 2: From the Cotton Club to Sweden
As well as the Duke's skills as pianist, composer and arranger, key sidemen, such as 'Bubber' Miley, Joe 'Tricky Sam' Nanton and Johnny Hodges were recognised as major jazz soloists. This collection spans March 1929 to February 1940, a key period for jazz in general and Ellington in particular. We concentrate on the orchestra's performances, mainly instrumental, along with some featuring singer Ivie Anderson. In late 1929, there had been a major change: Bubber Miley had gone. In his place came '
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