Solzhenitsyn Plays Beethoven
FROM PHILOSOPHY TO REVELATION By Ignat Solzhenitsyn The three sonatas on this disc, composed in the years 1814-1818, form a kind of bridge between the so-called middle and late periods of Beethoven's output. The Sonata No. 27 in E minor, Op. 90, exemplifies Beethoven's fascination with two-movement form: no fewer than ten sonatas (seven for piano, three for cello) are conceived in this abbreviated fashion. But in this sonata it may be said that Beethoven cleverly combines four movements into two
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